灵鹊做题网魂断蓝桥英文观后感400字左右的
来源：学生作业帮 编辑：灵鹊做题网作业帮 分类：英语作业 时间：2024/05/29 07:46:40
魂断蓝桥英文观后感400字左右的
魂断蓝桥观后感（两个版本）：
The picture kicks off the Roxie's seven-day festival,Hollywood Before the Code,featuring 14 films made before the Production Code's clampdown in 1934.
Waterloo Bridge is prime pre- Code material.It stars Mae Clarke as Myra,an American chorus girl who's stranded in London when her show closes at the start of World War I.She slides into prostitution,standing on Waterloo Bridge as the soldiers spill out from Waterloo Station.
If Clarke is remembered today,it's for getting hit in the face with a grapefruit by James Cagney in The Public Enemy.But Waterloo Bridge reveals her to have been an exceptional actress.
Her Myra is all bitterness -- but with just enough hope to drive herself crazy.She's completely different from the angelic ballerina Vivien Leigh played in the 1940 remake.
Whale opens Waterloo Bridge with a shot of a stage show,a happy vision of white dresses.Then he cuts to shots of individual chorines,who look coarse and worldly.Myra is in the midst of this display -- and then a couple of scenes later,she's on the street.
The odd,sad romance at the heart of Waterloo Bridge is between Myra and a naive American soldier (Kent Douglas) she meets during an air raid.Clarke shows both the unguarded young woman Myra could easily be as well as her self-protective determination to stay hard-boiled.
At one point,Myra throws him out of her room,saying she needs some sleep.And then,in a long close-up,we see her reflection in the mirror as she puts on her hat and lipstick,preparing to go back out.The transformation is pure cinema.Clarke reconciles Myra's conflicted and contradictory impulses in a brave portrait of a woman in torment.Myra believes herself to be trash and she's wrong -- just as the soldier's mother
believes herself to be kindly,when she's merely cruel in a gentle way.
Though based on a stage play (by Robert E.Sherwood),the picture has Whale's visual flair.Even the rear-projection shots of searchlights panning the sky seem more intentionally artful than artificial.
The Roxie's showing will be the first public screening of Waterloo Bridge on the West Coast,outside a film archive,in about 60 years.Audiences who were touched by the courage and vulnerability of Elisabeth Shue in Leaving Las Vegas are likely to take to Clarke,Shue's spiritual godmother.
The picture kicks off the Roxie's seven-day festival,Hollywood Before the Code,featuring 14 films made before the Production Code's clampdown in 1934.
Waterloo Bridge is prime pre- Code material.It stars Mae Clarke as Myra,an American chorus girl who's stranded in London when her show closes at the start of World War I.She slides into prostitution,standing on Waterloo Bridge as the soldiers spill out from Waterloo Station.
If Clarke is remembered today,it's for getting hit in the face with a grapefruit by James Cagney in The Public Enemy.But Waterloo Bridge reveals her to have been an exceptional actress.
Her Myra is all bitterness -- but with just enough hope to drive herself crazy.She's completely different from the angelic ballerina Vivien Leigh played in the 1940 remake.
Whale opens Waterloo Bridge with a shot of a stage show,a happy vision of white dresses.Then he cuts to shots of individual chorines,who look coarse and worldly.Myra is in the midst of this display -- and then a couple of scenes later,she's on the street.
The odd,sad romance at the heart of Waterloo Bridge is between Myra and a naive American soldier (Kent Douglas) she meets during an air raid.Clarke shows both the unguarded young woman Myra could easily be as well as her self-protective determination to stay hard-boiled.
At one point,Myra throws him out of her room,saying she needs some sleep.And then,in a long close-up,we see her reflection in the mirror as she puts on her hat and lipstick,preparing to go back out.The transformation is pure cinema.Clarke reconciles Myra's conflicted and contradictory impulses in a brave portrait of a woman in torment.Myra believes herself to be trash and she's wrong -- just as the soldier's mother
believes herself to be kindly,when she's merely cruel in a gentle way.
Though based on a stage play (by Robert E.Sherwood),the picture has Whale's visual flair.Even the rear-projection shots of searchlights panning the sky seem more intentionally artful than artificial.
The Roxie's showing will be the first public screening of Waterloo Bridge on the West Coast,outside a film archive,in about 60 years.Audiences who were touched by the courage and vulnerability of Elisabeth Shue in Leaving Las Vegas are likely to take to Clarke,Shue's spiritual godmother.