英语翻译Abstract:The purpose of this study is to provide the the

英语翻译
Abstract:The purpose of this study is to provide the theoretical basis and practical material for seeking the strategy and method of study of exchange of nationality music.
The author has focused in this paper on the several facts and their relations:
1.Folk rhyme Hulari,one in the form of round dance,is a piece of comprehensive art of music,words and dance,which is originated in Hamgyung Province of North Korea.At first it was limited to the territory of the province,but with development of socialist construction and revolution it was popularized across the country .It spread to the community of Korean nationality in China through immigrants and later spread to Daurs.
2.So far the origin of the word Hulari is not clear.Hovever,according to the analysis and reasoning by Jo Heunggu ,it is an onomatopoetic word and it has been preliminarily that the most suitable instrument for it is the suona.
3.Daurs are the people with long history and they live in Northeast China.After liberation there was special friendship and exchange between China and the Soviet Union and Daurs were influenced by the Soviet art and they introduced Soviet collective dances and also Hulari in the form of collective dance.Later with the work of professional artists it spread widely in city and countryside.
4.From the point of history,the two minority nationalities of Daur and Korean have the common consciousness of historical responsibility living in Northeast China and have walked the same path in development of the region and liberation of China.Culturally the two nationalities have the commonness in terms of language ,religion,custom and habits etc.Therefore the spread of Hulari to Daurs is not surprising and it is natural result of cultural development.
5.On the other hand,because of differences of the two nationalities in terms of locality of inhabitance,history,culture and aesthetic judgment,Hulari was not received by Daurs in the intact original form,but in a changed form in music ,dance etc.This is an inevitable phenomenon in spreading of folk rhymes as a result of mutual influence ,and it is a cultural phenomenon,which meets rules of development of culture and arts of nationalities.
The author proposes at the end of the paper on the basis of the above fact the necessity of stoppingthe spontaneous foreign exchange of nationality musical culture and opening up a new epoch of strategic and planned foreign exchange and finding a method of keeping and development of nationality musical culture though the exchanges.

摘要：本研究的目的是提供基础理论和实际材料,寻求的战略和方法的研究交流国籍音乐.
作者在本文重点对一些事实和他们的关系：
1 .民谣Hulari ,一个形式的轮舞,是一块综合艺术的音乐,语言和舞蹈,这是起源于Hamgyung省北朝鲜.起初,它仅限于省境内,但与发展的社会主义建设和革命这是在全国各地推广.它扩散到社会的朝鲜族在中国通过移民和后来蔓延到达斡尔族.
2.So到目前为止,词源Hulari不是clear.Hovever ,根据分析和推理的赵Heunggu ,这是一个onomatopoetic词,它已初步认为最合适的工具,它是唢呐.
3.Daurs是人民悠久的历史和他们生活在东北解放China.After有特殊的友谊和交往和苏联和达斡尔族的影响下苏联艺术和他们介绍了苏联的集体舞蹈,也Hulari形式集体dance.Later工作的专业艺术家它广泛分布在城市和农村.
4.From点的历史上,这两个少数民族的达斡尔族和韩国有共同的历史责任意识,生活在我国东北及走过同样的道路在发展中的地区和民族解放的中国.在文化上有两个民族的共性而言,语言,宗教,习俗和习惯等因此传播Hulari以达斡尔族是不足为奇的,它是自然的结果,文化的发展.
5.On另一方面,由于不同的两个民族在地方inhabitance ,历史,文化和审美能力, Hulari未收到达斡尔族的完整原始的形式,但在一个变化的形式在音乐,舞蹈等.这是一个必然的现象蔓延的民谣由于相互影响,这是一种文化现象,符合规则的发展文化艺术事业的国籍.
作者建议结束时的文件,根据上述事实,必须stoppingthe自发外汇国籍的音乐文化,并开辟一个新时代的战略和计划的外汇,并找到一种方法,保持和发展民族音乐虽然文化的交流.